The Fall of Man by Albrecht Dürer, print, 1509-1510

The Fall of Man

Albrecht Dürer

Year
1509-1510
Medium
woodcut on laid paper
Dimensions
block: 12.8 × 9.7 cm (5 1/16 × 3 13/16 in.) sheet: 13.5 × 10.3 cm (5 5/16 × 4 1/16 in.)
Museum
National Gallery of Art

About This Artwork

The Fall of Man by Albrecht Dürer, executed between 1509 and 1510, is a masterful example of the artist's pioneering contributions to the graphic arts. Classified as a print, the piece was realized using the woodcut technique on laid paper. This medium demands technical precision to translate complex narratives, such as the biblical story of Adam and Eve, into stark black-and-white forms. Dürer’s genius lay in his ability to elevate the woodcut, typically reserved for simple illustrations, into a fine art capable of unprecedented detail and emotional complexity.

Produced during the height of the German Renaissance, this work falls squarely within the cultural and chronological parameters of the period spanning 1501 to 1550. Dürer frequently explored the theme of original sin, using the narrative to examine theological concepts alongside advanced ideals of human anatomy derived from classical antiquity. Unlike his more highly polished engravings on this theme, this piece employs a robust line structure appropriate for the woodcut medium, yet retains a powerful sense of spatial organization and sculptural form. The resulting The Fall of Man is crucial for understanding the rapid transition and sophistication of artistic styles in Northern Europe during the early 16th century. Dürer's strategic use of high-quality prints ensured the wide dissemination of his ambitious designs, cementing his reputation across the continent.

As one of the most celebrated figures in German art history, Dürer’s prints were highly sought after by contemporary collectors. The remarkable preservation and clarity present in this impression exemplify the high standards of craftsmanship achieved during the era. This significant work is part of the extensive collection of the National Gallery of Art, where it serves as a central reference point for studies of Northern Renaissance graphic arts. Given the historical context of high-volume print production and the age of the piece, many fine impressions of Dürer's masterful oeuvre are frequently available for educational purposes, having long since entered the public domain.

Cultural & Historical Context

Classification
Print
Culture
German
Period
1501 to 1550

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