The Entombment

The Entombment by Flemish 17th century; Albrecht Dürer is a profound example of graphic arts produced during the transition of the late 16th and early 17th centuries. This Print, classified specifically as an engraving on laid paper, demonstrates the enduring legacy of Renaissance masters within the subsequent Northern European artistic traditions. While the compositional design is often attributed to Dürer, a pivotal figure in the history of prints, the execution date of 1600-1625 suggests this particular iteration was created by a later hand, possibly a follower or a master reproducing famous designs for the booming market for religious imagery in the Southern Netherlands.

The period spanning 1551 to 1600 marked a critical era of religious and artistic upheaval in the Low Countries. Even as original artistic output flourished, the reproduction of classic works remained vital for disseminating theological narrative and technical expertise. This work depicts the solemn moment of Christ’s burial, where supporting figures, often including Nicodemus and Joseph of Arimathea, carefully lower the body into the sarcophagus. The technical skill required for the intricate details characteristic of this type of engraving reflects the high standards upheld by Flemish printmakers, who frequently borrowed or reinterpreted the dramatic intensity pioneered by masters like Dürer.

As a study in graphic replication and religious iconography, this particular interpretation of The Entombment underscores the longevity of Dürer's influence well into the Baroque period. The precise line work and careful shading inherent in the engraving process allowed for widespread circulation of the imagery, making such devotional subjects accessible to a broad audience. This important historical and artistic document is preserved today within the comprehensive collection of the National Gallery of Art, where it contributes to the institution’s holdings of significant early prints. Reflecting the standards of the era 1551 to 1600, this work provides insight into the economics and distribution of art. Due to its age and cultural significance, this artwork is frequently cited in reference works, and versions of the image are often found in the public domain.