The painting The Duke of Wellington, created by Spanish 18th/19th Century master Francisco Goya in 1812, is a remarkable example of military portraiture executed in oil on canvas. This piece belongs to the critical historical period spanning 1801 to 1825, reflecting the turmoil and transition affecting Spanish culture during the Peninsular War. Goya painted Arthur Wellesley, the future Duke, shortly after his pivotal victory over the French at the Battle of Salamanca and his subsequent arrival in Madrid, capturing the general at the height of his influence in the Iberian campaign.
Goya utilized the expressive capabilities of the oil medium, applying paint with an economy and freedom of brushstroke that characterizes his later style. The technique used to render the sitter’s uniform, ribbons, and determined features demonstrates a maturity in Goya’s approach, prioritizing psychological intensity over mere idealized representation. Unlike more static, formal commissions, the work captures the alertness and command of the subject, providing a sense of immediacy essential to Spanish portraiture of the early 1800s. The artist’s keen focus on the individual psyche defined his output during this turbulent period.
The importance of this work is underscored by its classification as a significant painting from the early nineteenth century (1801 to 1825). The surviving canvas serves as an essential record of the era and the key figures who shaped it. This piece, which showcases Goya's lasting legacy and influence on subsequent generations, is now held within the prestigious collection of the National Gallery of Art, Washington, D.C. Given the historical significance and the artist's stature, this artwork frequently appears in academic texts. As a valuable historical image currently residing in the public domain, high-quality prints and reproductions are widely available to art enthusiasts and researchers globally.