The Dismissal of Hagar

The Dismissal of Hagar is an emotionally charged drawing executed in pen and brown ink, dating from the years 1640-1642. While formally attributed to an Anonymous Artist, the work is intimately associated with the studio or immediate circle of the celebrated Dutch master, Rembrandt van Rijn. This classification as a drawing places it within the critical phase of preparation and execution characteristic of the mid-seventeenth century art world (1601 to 1650), a period of immense artistic ferment in the Netherlands and the peak of the Dutch Golden Age.

The subject illustrates the biblical narrative from Genesis 21, depicting Abraham sending away his concubine Hagar and their son Ishmael at the insistence of his wife, Sarah. The technique, utilizing pen and brown ink, favors rapid notation and expressive, assured line work over detailed finish. Such economy of execution allowed the artist, highly influenced by Rijn, to concentrate purely on the psychological tension between the figures. Abraham is typically shown facing away from Hagar, his profile etched with internal conflict, while Hagar conveys sorrow and resignation, clutching Ishmael tightly. The swiftness of the line gives the composition an urgency befitting the scene of dramatic expulsion.

Although the culture of origin is officially cataloged as Unknown, the stylistic approach and dramatic light and shadow strongly point toward the Dutch school's deep engagement with sacred narratives. Drawings like this served as essential studies for larger commissioned projects or as independent collectible artworks that circulated widely. The enduring dramatic power achieved in the composition means that high-quality prints and reproductions are sought after by researchers and students globally. As the original work resides in the permanent collection of the National Gallery of Art, it provides essential insight into the drawing practices of the 1640s. The work is widely available in the public domain for research and study, ensuring the continued academic appreciation of Rijn's dramatic approach to sacred texts.