The Destruction of Job's Sons by William Blake, print, 1825

The Destruction of Job's Sons

William Blake

Year
1825
Medium
engraving
Dimensions
plate: 21.6 x 17.2 cm (8 1/2 x 6 3/4 in.) sheet: 41.9 x 33.3 cm (16 1/2 x 13 1/8 in.)
Museum
National Gallery of Art

About This Artwork

"The Destruction of Job's Sons" by William Blake is a powerful example of the artist’s late printmaking mastery, executed in 1825. This sophisticated engraving forms part of the celebrated series of illustrations Blake created for the biblical Book of Job. As a British artist working during the period spanning 1801 to 1825, Blake utilized the precise language of line engraving to translate his profoundly visionary interpretation of sacred texts onto copperplate.

The print depicts the catastrophic moment when a whirlwind collapses the house where Job's children are feasting, a dramatic representation of worldly suffering and divine testing. Blake’s distinct aesthetic combines meticulous technical skill with deeply symbolic imagery. The composition emphasizes the chaos and overwhelming scale of the destructive force descending upon the figures, sharply contrasting the human fragility with the power of the natural, or divine, world.

The linear clarity inherent to the engraving medium heightens the emotional intensity of the catastrophe. Blake’s meticulous approach to light and shadow creates a palpable sense of movement and doom within the scene. These prints represent some of Blake's most significant contributions to British art, cementing his legacy as a unique spiritual interpreter of scripture who often blended text and image.

While often studied as a component of the complete Book of Job series, this individual print stands alone as a powerful exploration of cosmic tragedy. The work currently resides in the collection of the National Gallery of Art, Washington D.C. Due to its historical significance and widespread availability in institutional collections, high-quality reproductions of this important engraving are often circulated through public domain archives, allowing broad access to Blake's extraordinary visual theology.

Cultural & Historical Context

Classification
Print
Culture
British
Period
1801 to 1825

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