The woodcut, The Dance of Death: Adam Tilling the Earth, was executed by Hans Holbein the Younger between 1521 and 1531. This remarkable print belongs to Holbein’s iconic series illustrating the Danse Macabre, a visual allegory that profoundly impacted Northern Renaissance art. Younger’s innovative treatment transformed the traditional morality sequence into a compelling visual narrative, emphasizing the universality of human fate regardless of status or piety.
The image depicts Adam engaged in arduous labor, fulfilling the curse placed upon mankind following the expulsion from Eden. He strains while tilling the earth, oblivious to the skeletal figure of Death guiding the plow alongside him. The scene powerfully underscores that mortality is the inescapable consequence of original sin. This influential piece is renowned for the precision and detail achieved in the small-scale woodcut medium, showcasing the high level of craftsmanship applied by the block cutters working from Younger’s meticulous designs. Such narrative prints were essential instruments for disseminating religious and moral ideas throughout Germany during the early years of the Reformation.
While the original illustrations were drafted in the 1520s, the complete set of fifty-one scenes was widely published later, establishing Younger’s lasting legacy as a master draftsman and designer. The enduring power of these detailed historical prints ensures their continued study across art historical disciplines. This particular impression of the woodcut is held in the permanent collection of the Cleveland Museum of Art, and high-quality reproductions of these powerful prints are frequently available through public domain initiatives.