The Crucifixion (Round)

The Crucifixion (Round) by Albrecht Dürer, executed in 1519, is a monumental work of Northern Renaissance engraving. This highly detailed print demonstrates Dürer’s unparalleled mastery of the copperplate medium, utilizing intricate line work to achieve complex textural and tonal variation. The composition is circular, presenting the central Christian narrative of the death of Christ on the Cross.

The image focuses tightly on the tragic scene, carefully balancing the profound theological subject with human suffering. Christ is shown suspended, surrounded by groups of figures, including men and women, who express intense grief. The artist renders the anatomy and drapery with the refined precision characteristic of his mature career, drawing viewers into the deeply emotional event. This approach was instrumental in elevating printmaking from a mere craft into a sophisticated art form.

As a leading figure of the German Renaissance, Dürer recognized the power of reproducible prints for disseminating religious themes across Europe. This particular piece, dated late in the artist’s life, shows his complete command over both classical composition and dramatic intensity. Today, the work resides in the prestigious collection of the Metropolitan Museum of Art, serving as a key example of the technical and spiritual depth achieved by the artist. Due to its age and historical importance, high-resolution images of this masterwork are often found available through public domain collections for scholarly study.