The Circumcision

The Circumcision is a significant woodcut created by Albrecht Dürer between 1504 and 1505, demonstrating the technical peak of German Renaissance printmaking. This particular print is part of Dürer’s larger series exploring the life of Christ. The work exemplifies the artistic achievements of the early sixteenth century, securely placing it within the productive period of 1501 to 1550 when Dürer was establishing his reputation across Europe as the preeminent master of the medium.

As a masterful example of the woodcut technique, the print relies on meticulously cut lines and intricate cross-hatching, demonstrating Dürer's revolutionary ability to achieve tonal variation and three-dimensional form in a medium historically characterized by rigid flatness. The subject is the traditional presentation of the infant Christ receiving the ritual circumcision eight days after his birth, set within a highly detailed, enclosed architectural space. Dürer focuses on capturing the density of the gathered crowd and the varied emotional states of the participants, creating a dramatic focal point around the central act.

The high-quality prints produced by Dürer during this era were instrumental in elevating the status of the print medium from mere illustration to fine art. His compositions circulated widely, profoundly influencing fellow artists of the Northern Renaissance. This piece is reflective of the German master’s dedication to accessible art that maintained rigorous standards of academic execution.

This important artifact from the history of German prints is currently held in the collection of the National Gallery of Art, Washington D.C. The existence of multiple impressions speaks to the popularity and wide distribution of the work immediately following its creation. Due to its age and historical context, high-resolution documentation of the image is often considered part of the public domain, ensuring its continued study and appreciation globally.