The Circle of the Lustful: Paolo and Francesca is a powerful print created by William Blake and restruck by Harry Hoehn in 1827. Classified as an engraving [restrike], this work belongs to a significant body of British prints inspired by classical literature, specifically illustrating a key scene from Canto V of Dante Alighieri’s Inferno. The imagery depicts the tragic lovers Paolo Malatesta and Francesca da Rimini, eternally condemned to the second circle of Hell for the sin of lust.
Blake’s original designs for Dante's epic poem were among his final, and most profound, artistic achievements, created toward the end of his life. Though the original conception dates to 1827, this specific version is noted as a restrike, meaning the plate was printed at a later date, likely executed or supervised by Hoehn. This technique, common in the production of fine prints, ensured the continuation and broad distribution of Blake’s highly personalized and visionary artwork, extending its influence across the period from 1826 to 1850.
The composition focuses intensely on the intertwined figures of Paolo and Francesca, swept up in the merciless tempest of the infernal circle, while Dante and Virgil observe the scene. The dramatic use of line and deep shadow characteristic of Blake’s engraving style heightens the emotional tragedy and psychological torment of the couple. Blake’s handling of the subject demonstrates a profound engagement with spiritual and mythological themes, contrasting sharply with many prevailing academic tastes of the time, making his contribution to British culture uniquely influential.
The inclusion of the Hoehn restrike of The Circle of the Lustful: Paolo and Francesca in the National Gallery of Art collection underscores the lasting scholarly interest in Blake's legacy and the ongoing study of prints from this important cultural period. As a key piece of 19th-century British artistic output, this work remains highly relevant for scholars researching the historical development of illustrations and prints, many of which are now accessible within the public domain.
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