The Circle of the Lustful: Paolo and Francesca by William Blake; Harry Hoehn is a powerful example of British Romantic illustration, capturing one of the most tragic episodes from Dante Alighieri’s Inferno. This work, classified as a print, specifically an engraving [restrike], depicts the doomed lovers Paolo and Francesca locked in an eternal embrace as they are whirled through the second circle of Hell, reserved for those who succumbed to desire. The original design was conceived by Blake in the 1820s as part of his ambitious, and ultimately unfinished, set of illustrations for Dante’s epic poem.
The image exemplifies Blake’s characteristic blend of spiritual intensity and dramatic composition. Though Blake executed the original copper plate for the engraving, this impression is a restrike, meaning it was printed posthumously or much later, perhaps overseen by Hoehn, who would have preserved or reprinted the plate. This collaborative printmaking approach highlights the enduring influence of Blake's vision within British art during the period of 1826 to 1850. The precise technique of engraving allows for sharp contrasts and fine, delicate lines, effectively conveying the chaotic, wind-swept atmosphere surrounding the figures in the netherworld.
Blake’s ability to visualize the complex spiritual and emotional anguish of Dante’s narrative made these illustrations defining examples of 19th-century graphic arts. The powerful visual storytelling inherent in this piece cemented the work’s importance among historical prints. Like many significant works on paper from this era, the availability of subsequent restrikes expands the accessibility of the original masterwork. This impression of The Circle of the Lustful: Paolo and Francesca is held within the collection of the National Gallery of Art, offering scholars and the public an intimate view of the intense spiritual drama that defined Blake's late career. Due to their cultural significance and age, many of Blake’s original plates and associated prints are now entering the public domain, guaranteeing widespread appreciation for the mastery shown by both Blake and Hoehn.