The Butterflies, from Mélodies de Désiré Dihau

The Butterflies, from Mélodies de Désiré Dihau by Henri de Toulouse-Lautrec French, 1864-1901, is a quintessential example of the artist’s contribution to fin-de-siècle graphic arts. Created in 1895, this print utilizes the nuanced capabilities of lithography on cream wove paper. Lautrec, known for his masterful documentation of Parisian life, particularly the vibrant culture of Montmartre, applied his distinctive style—characterized by sharp outlines and atmospheric brevity—to create this intimate illustration.

The French artist was instrumental in elevating the status of the commercial print, transforming advertising and illustrative work into serious art forms. This piece, likely intended for a set accompanying music or poetry, demonstrates Toulouse-Lautrec’s sophisticated handling of the medium. The choice of cream wove paper provides a warm base, enhancing the subtle tonal shifts and delicate lines achievable through the lithographic process. This technique, based on the repellence of oil and water, allowed Lautrec to achieve rapid and expressive imagery, a necessity for the fast-paced artistic production of 1890s France.

As a significant example of French print culture from the late 19th century, this lithograph reflects the evolving aesthetic of the period. Today, the original artwork resides in the esteemed collection of the Art Institute of Chicago. Like many masterworks created during this time, the classification of The Butterflies as an important work ensures its continued study for researchers interested in the technical innovations of Toulouse-Lautrec and the availability of such historic prints through public domain initiatives.