The Book of Job: Pl. 21, So the Lord blessed the latter end of Job / more than the beginning is a powerful engraving created by William Blake in 1825. This work is the final plate in his renowned series of 21 illustrations based on the Old Testament story of Job, a foundational text for Christian theology. Executed toward the end of Blake’s life, this piece demonstrates his mastery of the engraving medium, reflecting the spiritual and Romantic artistic traditions of the United Kingdom. The series, commissioned by John Linnell, is considered one of Blake’s most profound achievements in prints, synthesizing his unique vision of divine suffering and salvation.
The imagery of Plate 21 visually fulfills the biblical promise articulated in its title, depicting Job and his family restored, receiving divine blessing after their trials. The central figures are gathered in quiet contentment, often depicted teaching their children, contrasting sharply with the despair and chaos illustrated in earlier plates. Blake frames the scene with meticulous linearity, often incorporating biblical verses directly into the composition’s borders, guiding the viewer toward the ultimate themes of redemption and endurance.
Blake’s illustrations for Job elevated the standard for biblical prints during the 19th century, influencing subsequent generations of artists. This important example of Blake’s late output is preserved in the collection of the Cleveland Museum of Art. Because of the work’s age and significance, high-quality prints and reproductions are frequently shared through public domain initiatives, ensuring wide access to the artist’s lasting theological and artistic legacy.