The Book of Job: Pl. 17, I have heard thee with the hearing of the Ear but now my Eye seeth thee by William Blake, created in 1825, is a foundational piece in the artist’s seminal series illustrating the Old Testament narrative of Job. This work, one of twenty-one plates, utilizes the copper-plate engraving technique, a medium Blake expertly mastered to achieve his signature style of intricate line work and visionary complexity.
The plate captures the critical moment of Job’s spiritual reconciliation and ultimate submission to God, reflecting the dramatic climax of the text. The composition characteristically blends human forms with transcendent figures, enclosed by meticulously rendered marginal designs that integrate textual scripture and allegorical imagery. Blake’s design emphasizes the contrast between earthly tribulation and divine majesty, often expressed through powerful, muscular physiques drawn from his study of classical and Renaissance models.
Produced toward the end of the artist’s life, these illustrations are recognized as a high point of his output and represent the visionary strain within the artistic traditions of the United Kingdom. As a key example of 19th-century English Romanticism, the enduring influence of this series is significant; today, high-quality prints and reproductions are often available in the public domain, ensuring wide access to Blake’s complex iconography. This specific impression is part of the extensive collection of the Cleveland Museum of Art.