The Betrayal of Christ is a powerful engraving created by the master German printmaker Albrecht Dürer in 1508. This piece, executed on laid paper, belongs to the significant period of 1501 to 1550, when Dürer was at the height of his technical prowess and artistic influence across Northern Europe. As a definitive example of early 16th-century German prints, the work captures the dramatic culmination of Christ’s passion, specifically the moment Judas Iscariot identifies Jesus to the Roman soldiers with a kiss, leading to his arrest in the Garden of Gethsemane.
Dürer utilizes the precision of line inherent in engraving to maximize emotional intensity and drama. The fine, dense cross-hatching typical of his mature style gives the figures substantial weight and definition while managing the interplay of light and shadow essential to depicting the chaotic night scene. This work is characterized by its intense detail and crowded composition, forcing the viewer’s attention onto the central confrontation. We see the dramatic contrast between the serene figure of Christ, the deceitful Judas, and the surrounding, heavily armored guards preparing for the capture. Dürer’s mastery of the burin allows for minute differentiation between textures, such as the metallic surfaces of the armor, the rough features of the soldiers, and the flowing drapery of the religious figures.
As one of the critical prints from Dürer’s extensive graphic output, this piece solidified his reputation as the foremost graphic artist of the Renaissance. The ability to circulate prints widely throughout Europe made images like this foundational to the era’s religious visual culture. This superb engraving is held in the collection of the National Gallery of Art, where it serves as a cornerstone example of High Renaissance German artistry. While the original resides in a museum setting, the widespread nature of prints from this period often means that high-quality reproductions of Dürer's influential work are made available through public domain initiatives, allowing broader study of this powerful narrative depiction.