The Artist's Sister Edma Seated in a Park by Berthe Morisot, drawing, 1864

The Artist's Sister Edma Seated in a Park

Berthe Morisot

Year
1864
Medium
watercolor
Dimensions
overall: 24.9 x 15.1 cm (9 13/16 x 5 15/16 in.)
Museum
National Gallery of Art

About This Artwork

The artwork, The Artist's Sister Edma Seated in a Park, was created by Berthe Morisot in 1864. Classified formally as a drawing, this intimate portrait study utilizes the luminous and delicate medium of watercolor on paper. The subject is Morisot’s favorite sister, Edma Morisot Pontillon, who frequently modeled for the artist before her marriage three years later. The composition captures Edma in a moment of quiet repose, likely seated outdoors under the dappled light of a park setting, reflecting the French shift toward capturing daily life and ephemeral light effects.

Morisot executed this piece during a pivotal stage in her artistic development, shortly before her formal involvement with the Impressionist group. The handling of the watercolor medium demonstrates an economy of line and a spontaneous immediacy, prioritizing the impression of light and shadow over meticulous academic detail. The setting-a park or garden-was crucial for artists exploring the transient light effects fundamental to the new aesthetics being developed in France during the period 1851 to 1875. Morisot often focused on domestic tranquility and the natural environment, themes that would come to define her mature Impressionist paintings, creating intimate genre scenes like The Artist's Sister Edma Seated in a Park.

As one of the foundational women artists of the Impressionist movement, Morisot’s early studies, such as this highly finished watercolor, provide essential insight into her mastery of quick observation and delicate color application. This fine example of a French work from the mid-nineteenth century is held in the permanent collection of the National Gallery of Art, Washington D.C. Due to its cultural significance and age, high-resolution images of this piece are often made available through public domain initiatives, allowing enthusiasts and scholars worldwide to study the composition and technique. High-quality prints of this foundational drawing contribute to the ongoing appreciation of Morisot’s unique approach to the watercolor medium.

Cultural & Historical Context

Classification
Drawing
Culture
French
Period
1851 to 1875

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