The Arms of the German Empire and the City of Nuremberg by Albrecht Dürer is a powerful woodcut created in 1521. This print showcases Dürer's mastery of the relief printing technique, a medium he helped popularize during the Northern Renaissance. The composition is a complex heraldic display, designed to simultaneously honor the Holy Roman Empire and affirm the civic pride of his home city. The central element features the imposing double-headed Imperial eagle, which is flanked by the lesser and greater coats of arms belonging to Nuremberg.
The creation of this woodcut occurred during a politically and artistically charged era. Dürer had returned to Nuremberg permanently just a few years earlier, solidifying his role as the city’s most celebrated artist. This work served a civic purpose, reinforcing Nuremberg's status as an Imperial Free City directly answerable to the Emperor. Dürer’s approach to the Coat of Arms subject applies sophisticated texture and detail to the graphic medium, elevating the status of prints beyond mere illustration.
As one of the final significant prints produced during Dürer’s lifetime, this piece is an essential example of the artist’s mature style. This historical work is currently held in the distinguished collection of the Metropolitan Museum of Art. Because of its age and importance, this landmark example of German Renaissance prints is frequently available through the public domain for scholarly study.