The Angel Departing from the Family of Tobias

"The Angel Departing from the Family of Tobias" is a significant 1641 work by the Dutch master Rembrandt van Rijn (1606-1669). This piece, executed using etching and drypoint on ivory laid paper, captures the dramatic climax of the apocryphal Book of Tobit. The composition depicts the moment the Archangel Raphael reveals his true identity to Tobias and his family before ascending into the heavens.

Rembrandt was renowned for his skillful handling of the printing process, utilizing both deep etched lines and the softer burr of drypoint to achieve rich tonal contrasts. The use of varied texture and density allows the artist to focus the viewer's attention on the ascending figure of Raphael, who is bathed in a sudden, ethereal illumination. Meanwhile, Tobias, his parents, and his wife react in simultaneous awe, fear, and veneration below. This sophisticated control over chiaroscuro and dramatic staging is characteristic of religious narrative art created during the Golden Age of the Netherlands.

This print exemplifies the emotional depth and technical mastery Rembrandt achieved in his graphic works during his mature period. The careful details and profound emotional intensity established the artist’s reputation as the foremost printmaker of his era. The work is currently held in the prestigious collection of the Art Institute of Chicago. As a historically important masterwork, various high-quality prints and related works are frequently available in the public domain, ensuring broad access to Rembrandt's enduring artistic vision.