The Angel Appearing to the Shepherds by Rembrandt van Rijn, print, 1634

The Angel Appearing to the Shepherds

Rembrandt van Rijn

Year
1634
Medium
Etching and drypoint; third state of three
Dimensions
sheet: 14 1/4 x 11 3/8 in. (36.2 x 28.9 cm) plate: 10 1/4 x 8 11/16 in. (26.1 x 22 cm)
Museum
Metropolitan Museum of Art

About This Artwork

The Angel Appearing to the Shepherds, created by Rembrandt van Rijn in 1634, is a monumental work of graphic art demonstrating the artist’s early maturity as a printmaker. Executed using a sophisticated combination of etching and drypoint, the work captures the dramatic religious moment described in the Gospel of Luke. The technical execution, here represented in the final third state, showcases Rembrandt’s remarkable skill in manipulating light and shadow to create intense spatial depth and emotional resonance.

The composition centers on the sudden illumination of the night sky, where a host of angels surrounds the heavenly messenger. Below, the Shepherds and their Animals are roused from sleep, their forms rendered in deep shadow that emphasizes the blinding brilliance of the divine apparition. Rembrandt carefully details the landscape elements, utilizing varied linework to render the textures of the Trees and the startled reactions of the livestock.

Produced during the Dutch Golden Age, this powerful print transforms the traditional biblical subject into a scene of intense human and natural drama. Rembrandt’s careful attention to the contrast between the celestial light and earthly darkness helped define the Baroque aesthetic in printmaking. This impression of the piece resides in the collection of the Metropolitan Museum of Art, and as one of the key prints of the era, it exemplifies how accessible media disseminated important religious imagery. The enduring popularity of works like this, now often available through public domain initiatives, underscores Rembrandt’s lasting influence on European art history.

Cultural & Historical Context

Classification
Print

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