The Angel Appearing to Joseph in his Dream by Rembrandt van Rijn, dating from 1650, is a poignant example of the master’s command over graphic media. This intimate religious narrative is executed on paper using deck paint and ink, a classification known as a drawing, showcasing Rijn’s characteristic economy of line and dramatic use of shadow and light. The scene depicts the moment, recounted in the Gospel of Matthew, when an angel visits Joseph in a dream, warning him of King Herod's intention to destroy the Christ child and instructing the family to flee to Egypt.
Created during the peak of the Dutch Golden Age, this drawing reflects Rijn’s ongoing preoccupation with rendering biblical figures, emphasizing human emotion and psychological depth rather than classical idealism. The masterful technique, combining quick, precise ink lines with broader applications of deck paint, creates a powerful sense of ethereal illumination surrounding the angelic figure, contrasting sharply with Joseph’s dimly lit repose. This focus on individual character and dramatic internal light typifies the artistic environment of the Netherlands in the mid-seventeenth century.
While many of Rijn's oil paintings are universally known, his vast body of drawings and related prints offer unique insights into his compositional process and narrative acuity. This study remains a vital piece of the artist's oeuvre, demonstrating his technical fluency even in smaller-scale works. As part of the prestigious collection of the Rijksmuseum, this artwork is frequently studied and, due to its cultural significance, is often made available for scholarly research in the public domain.