Thanking the Group by Edvard Munch, print, 1899

Thanking the Group

Edvard Munch

Year
1899
Medium
Lithograph
Dimensions
composition: 16 3/8 x 20 7/8" (41.6 x 53 cm); sheet: 24 x 30 13/16" (60.9 x 78.2 cm)
Museum
Other

About This Artwork

Thanking the Group is a lithograph created by the renowned Norwegian Symbolist artist Edvard Munch in 1899. This period marks a crucial point in Munch’s artistic development, occurring just after the consolidation of his psychologically intense imagery within his famous Frieze of Life series. The selection of the lithograph medium was essential to Munch’s practice, allowing him to disseminate his personal and often intense psychological narratives widely, thereby making such powerful works available as fine art prints to a broader audience across Europe.

Produced exactly at the close of the 19th century, this piece reflects the introspective, anxious mood often associated with the fin-de-siècle aesthetic prevalent throughout contemporary European art. Munch utilized the intrinsic characteristics of lithography, employing strong visual contrasts between deep black inks and the stark white of the paper, while simplifying forms to amplify the emotional resonance of the implied scene. The resulting graphic clarity lends the image an atmosphere of focused tension and unease characteristic of the Norwegian master's oeuvre from 1899. Although the specific subject matter implied by the title, Thanking the Group, suggests a social or public performance setting, Munch consistently translated personal experiences and emotional states into universally relatable visual language.

Munch was notably innovative in his approach to printmaking, viewing his graphic works not merely as means of reproduction but as unique, powerful expressions equal to his oil paintings. The technical precision and dramatic compositional choices evident in these historic prints demonstrate the artist’s full mastery of the graphic arts. This enduring work of modern art is a key component of the international collection at the Museum of Modern Art (MoMA), New York. As a significant historic print, images of this piece are frequently studied by researchers and, depending on specific jurisdictional copyright status, sometimes enter the sphere of public domain initiatives, ensuring continued access to Munch’s legacy.

Cultural & Historical Context

Classification
Print
Culture
Norwegian
Period
1899

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