The powerful drawing, Study of Orpheus for "Classic and Romantic Art" by John Singer Sargent, showcases the artist’s mastery of charcoal executed on laid paper. Created between 1916 and 1921, this American drawing represents Sargent’s sustained late-career interest in classical themes and monumental decorative compositions. The piece is a modello, or preparatory study, focusing specifically on the legendary Greek figure of Orpheus, the musician and poet who attempted to rescue his wife, Eurydice, from the Underworld. Sargent utilizes the stark contrast inherent in charcoal to rapidly define the figure's musculature and dramatic, strained posture, capturing the emotional and physical intensity of the mythological narrative.
This work belongs to a crucial phase in Sargent’s career, placing it firmly within the art of the 1901 to 1925 period. After achieving global fame as the foremost society portraitist, Sargent dedicated his final two decades almost exclusively to ambitious mural cycles, particularly those at the Museum of Fine Arts, Boston, and the Boston Public Library. This detailed rendering of Orpheus highlights Sargent's profound engagement with classical sources and his ability to translate mythological narratives into compelling visual drama suitable for a large scale. Sargent’s technique here is characterized by vigorous, broad strokes and masterful blending, which convey movement and three-dimensionality, defining him as a key figure in American academic realism.
As an important preparatory work, this study offers essential insight into Sargent’s artistic process and his meticulous planning for his decorative commissions. The drawing currently resides in the distinguished collection of the National Gallery of Art, Washington D.C., where it serves as a powerful example of the enduring influence of classical antiquity on early 20th-century art. Though the original drawing is a unique artifact, high-quality digital assets and Study of Orpheus for "Classic and Romantic Art" prints are frequently distributed through institutions and available in the public domain, allowing broader access to this profound piece by Sargent.