Study of Hands for "Christ Among the Doctors", by Jean Auguste Dominique Ingres, is a meticulously rendered preparatory drawing executed in graphite on tracing paper between 1852 and 1862. This neoclassical drawing formed part of the extensive groundwork Ingres undertook for his monumental final painting, Christ Among the Doctors, a composition that occupied the French master during the last decade of his life.
The sheet contains five distinct studies of the human hands, illustrating the precision and observation central to Ingres's aesthetic philosophy. These detailed anatomical subjects capture various gestures, from tightly clasped fingers suggesting intellectual tension, to more relaxed poses required for the secondary figures in the finished canvas. The specific choice of graphite on translucent tracing paper facilitated the refinement of contours (le contour) and allowed Ingres to transfer outlines efficiently to subsequent studies or directly to the final work, underscoring the technical discipline inherent in his drawing practice.
Ingres placed enormous importance on such preparatory dessins to ensure perfect form and proportion in his finished paintings. These studies are indispensable for understanding the artist’s methodology as he prepared his major historical and religious scenes. This work, classified as an essential drawing within the Ingres oeuvre, is housed in the collection of the Metropolitan Museum of Art. Because of the cultural significance of the artist and the time period of the work, high-quality fine art prints derived from the original are frequently available through public domain archives, allowing this study of form to be accessed globally.