Study of an Old Man is an oil on canvas painting, dated circa 1655, attributed tentatively to Rembrandt van Rijn (Leiden 1606 - 1669 Amsterdam). Created late in the Dutch Golden Age, this piece reflects the artist's intense focus on character and emotional depth, a trait central to his mature style. Although art historical research continues to debate the precise authorship, the technical mastery and expressive handling of paint align closely with the characteristics of Rijn’s workshop during the mid-1650s, particularly in the creation of character studies.
The subject is depicted in close proximity, emphasizing his aged features, textured skin, and penetrating gaze. The composition utilizes dramatic light and shadow contrasts, typical of the period, highlighting the man's head against a subdued, dark background. Rijn employed thick impasto in the illuminated areas, particularly around the forehead and nose, contrasted with thin, rapid brushwork in the surrounding shadows. This technique lends a palpable sense of texture and psychological complexity to the sitter, suggesting the transient weight of experience.
Studies of elderly sitters were often used as models for figures in larger historical or religious scenes, or were appreciated simply as powerful tronies (character heads). This work serves as an important document of 17th-century Dutch painting and is held in the permanent collection of the Mauritshuis in The Hague, contributing to the museum's renowned assembly of masters. As a historical artwork, high-resolution digital versions of the painting are generally available in the public domain, enabling the creation of accessible art prints and reference materials globally.