Study of a Young Woman by Johannes Vermeer, created circa 1665-1667, is an intimate oil on canvas painting typical of the Dutch Golden Age. The work belongs to the genre of portraiture focused on women, although its specific classification remains debated by art historians. Given its generalized subject and lack of narrative setting, the piece may function as a tronie—a study of an expressive face or character, intended for the open art market rather than a specific patron.
Vermeer’s signature technique is evident in the delicate handling of light, which illuminates the subject’s face and torso against a dark, featureless background. The woman, possibly a model or family member, wears a yellow-brown garment and a white head covering, rendered with a startling sense of immediacy. This canvas is characterized by the artist’s precise observation, focusing almost entirely on the sitter’s internal disposition rather than material surroundings. The focused, direct gaze of the subject creates a powerful connection with the viewer, emphasizing the psychological depth that defines Vermeer’s mature period.
This work is smaller in scale than his major compositions like Girl with a Pearl Earring, providing valuable insight into the preparation and study methods of the Delft master. Today, the painting Study of a Young Woman is a highly prized component of the European Paintings collection at the Metropolitan Museum of Art in New York. While the original remains a protected treasure of the museum, its fame and inclusion in global art history have led to wide availability; high-quality prints and reproductions are frequently made available through museum and public domain initiatives, ensuring global access to Vermeer’s subtle depiction of 17th-century life.