Study for "Phaethon"

The work titled Study for "Phaethon" was created by John Singer Sargent between 1922 and 1925. This dynamic drawing serves as preparatory material for a larger, intended decorative composition exploring the classical myth where the sun god’s son, Phaethon, loses control of the solar chariot. Executed in graphite and charcoal on brown laid paper, the piece showcases Sargent's masterful draftsmanship during the later years of his career (1901 to 1925). The combination of dry media on toned paper allows for dramatic contrasts, highlighting the movement and tension inherent in the mythological narrative while establishing foundational elements of light and shadow.

Though Sargent achieved global fame for his dazzling society portraits, he spent his final decades focused heavily on large-scale public murals and architectural decoration. This drawing reflects his dedication to classical themes and demanding public schemes, marking a significant stylistic evolution for this prominent American artist. The vigorous lines and heavy shading used by Sargent suggest the powerful, turbulent action of Phaethon's uncontrolled descent. The artist utilized stark contrast to define form and mass, characteristics typical of preparatory sketches intended for later translation into paint or relief.

This important example of Sargent's working method is classified as a drawing and belongs to the prestigious collection of the National Gallery of Art. As a major work from the American high modern period, it provides essential insight into the artist's preparatory process for complex mythological subjects. Because this late-period work is often considered to be in the public domain, high-quality prints and archival records are widely accessible for researchers and collectors studying the techniques employed by Sargent in his final, productive years. The work stands as a testament to the artist’s lifelong commitment to drawing as the foundation of artistic practice.