Study for "Handmaid of the Lord" by John Singer Sargent, drawing, 1903-1916

Study for "Handmaid of the Lord"

John Singer Sargent

Year
1903-1916
Medium
charcoal on gray laid paper
Dimensions
sheet: 48.26 × 62.87 cm (19 × 24 3/4 in.)
Museum
National Gallery of Art

About This Artwork

The Study for "Handmaid of the Lord" by John Singer Sargent is a powerful preparatory drawing executed between 1903 and 1916. Rendered in expressive charcoal on gray laid paper, this work functions as an essential stage in the creation of Sargent’s sprawling, decades-long mural cycle for the Boston Public Library. Classified as a drawing, this piece showcases the artist's masterful draftsmanship and his rigorous approach to designing monumental public art.

The choice of charcoal allowed Sargent to rapidly capture the dynamics of form, light, and movement. The immediacy of the medium was vital for defining the dramatic interplay of shadows and highlights crucial to the final mural’s impact within its complex architectural setting. This particular drawing focuses intensely on the posture, gesture, and heavy drapery of a single figure, likely the central component of the narrative depicted in the full composition titled Handmaid of the Lord. This detailed examination of form underscores the traditional academic methods Sargent employed, even as his professional life extended well into the early 20th century.

Created within the period spanning 1901 to 1925, the study reflects the enduring classical influence on American painting and muralism at the turn of the century. Sargent, known primarily as an expatriate portraitist, dedicated considerable effort to these large-scale allegorical and religious commissions, which cemented his status as a major American artistic figure. The preparatory nature of this piece offers unique insight into the complexity of translating small sketches into monumental finished works.

This significant drawing is maintained in the permanent collection of the National Gallery of Art, Washington D.C. Because of its historical importance and the artist’s prominence, enthusiasts often seek out high-quality prints and reproductions of the work. As is common for institutional holdings by this American master, digital images of the drawing often enter the public domain, making the study accessible for scholarly research and appreciation worldwide.

Cultural & Historical Context

Classification
Drawing
Culture
American
Period
1901 to 1925

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