Studies of Six Greek Coins

Studies of Six Greek Coins by Eugène Delacroix, created in 1825, is a masterful example of early 19th-century French lithography. This specific impression represents the third state of four, showcasing the refined etching and shading characteristic of Delacroix’s exacting approach to the print medium. The artwork focuses intensely on numismatic themes, presenting detailed investigations into the complex iconography found on ancient Hellenic coins.

Delacroix meticulously renders the classical details found on these artifacts, studying both the obverse and reverse faces of six separate pieces of currency. The work clearly depicts detailed profiles of various human figures, executed with precision reflective of ancient sculptural relief. Alongside the human elements are highly stylized representations of animals and mythical beasts; the inclusion of a detailed griffin is particularly noticeable, highlighting the influence of classical mythology on the composition.

During the Romantic era, artists frequently turned to classical antiquity for inspiration, and Delacroix's lithographic investigation into the intricate details of ancient coins serves as a direct reflection of this artistic interest. By isolating the profiles and symbolic animals, he transforms functional currency into subjects of academic study and aesthetic mastery. While primarily known for his monumental oil paintings, this piece demonstrates Delacroix’s profound skill as a draftsman and his commitment to the technical refinement of fine art prints. The work is held within the distinguished collection of the Metropolitan Museum of Art. Examples of this influential 1825 lithograph are widely consulted and, in many forms, have entered the public domain, ensuring continued accessibility for scholars and enthusiasts of 19th-century French art.