Studies of Figures and Horses (recto); Figure Studies (verso)

Studies of Figures and Horses (recto); Figure Studies (verso) by Eugène Delacroix, executed in graphite between 1819 and 1829, offers an intimate glimpse into the preparatory process of one of the leading figures of the French Romantic movement. Classified as a drawing, this double-sided sheet showcases the artist's foundational study techniques, which were crucial for his large-scale historical and narrative paintings.

The recto side is dedicated primarily to anatomical and compositional explorations of human figures and horses. These subjects were essential components of Delacroix’s dramatic visual narratives, and these sketches emphasize dynamic movement, classical proportions, and the mastering of form. Delacroix employs graphite to rapidly capture essential outlines and shading, documenting his visual research as he developed his distinctive, emotionally charged style. The figures and horses documented here were likely precursors to specific motifs that would appear in major works from this decade, such as his depictions of military campaigns or dramatic historical events.

The studies on the verso are composed mainly of isolated figure studies, likely attempts to capture specific poses or facial expressions required for larger compositions. As a prolific draftsman, Delacroix frequently utilized both sides of his paper, maximizing the space for continuous ideation and technical practice. This piece is an invaluable document from the most active decade of the artist's career, providing critical insight into his method before masterpieces like Liberty Leading the People. The work resides in the permanent collection of the Metropolitan Museum of Art. Because of its historical significance, this piece has entered the public domain, allowing institutions and enthusiasts access to high-quality prints and reproductions for continued art historical study.