Studies for the decoration of the Library, Palais Bourbon, Paris: standing nude athlete; seated man with a lyre; centaur; and seven putti (three with wings) is a highly significant preparatory drawing by Eugène Delacroix. Created during his long career (1798-1863), this detailed sheet directly relates to the ambitious decorative scheme Delacroix executed for the Library of the Chamber of Deputies at the Palais Bourbon in Paris, a monumental commission carried out between 1838 and 1847.
The drawing utilizes pen and brown ink on wove paper, highlighting the artist's spontaneous yet disciplined draftsmanship. Faint graphite indications, specifically observed in areas like the lyre held by the seated figure, suggest the initial stage of compositional blocking before the application of permanent ink lines. As a preparatory study, the work explores several diverse figurative elements simultaneously.
Delacroix used the Library commission to explore broad allegorical and mythological subjects suitable for a scholarly setting. This sheet combines several figures intended for use in the murals, including studies of a standing nude athlete, rendered in a classical ideal reflecting the Renaissance tradition of figurative study. Adjacent subjects include a centaur and numerous spirited putti, three of which are winged, adding dynamic energy to the composition. The seated figure with a lyre suggests an allegory of poetry or music, often featured in Delacroix’s public work alongside themes of philosophy and history.
The overall complexity of the Studies for the decoration of the Library, Palais Bourbon, Paris illustrates the intensive labor involved in transitioning from preliminary concepts to monumental painting. As a key figure of the French Romantic movement, Delacroix’s drawings provide crucial documentation of his mature style and planning process. This important drawing is classified formally as a study and is currently held within the esteemed collection of the Metropolitan Museum of Art. High-resolution images of the drawing are frequently accessed through the public domain, offering wide insight into Delacroix’s working method.
Important: ArtBee makes no warranties about the copyright status of this artwork. To the best of our knowledge, based on information from the source museum, we believe this work is in the public domain.
You are responsible for determining the rights status and securing any permissions needed for your use. Copyright status may vary by jurisdiction. See our License & Usage page and Terms of Service for details.