Studies for the Cadaver of Acron by Jean Auguste Dominique Ingres is a preparatory drawing executed in graphite on wove paper between 1805 and 1817. This demanding study of a deceased male figure exemplifies the rigorous academic approach Ingres employed throughout his career, focusing intensely on anatomical structure and dramatic positioning. The precision required for depicting male nudes, especially when addressing the challenging subject of corpses, was paramount to the Neoclassical principles upheld by the artist.
The work was created in preparation for the figure of the dead warrior Acron in the artist’s monumental historical canvas, Romulus, Victor over Acron, commissioned in 1812. Ingres likely drew these studies from life or from existing plaster casts, using the delicate medium of graphite to meticulously map out the contours and shading necessary for rendering a convincing, though idealized, dead body in the final oil painting.
Ingres's meticulous attention to form elevates this work beyond a mere sketch, demonstrating his capacity to translate observed reality into classical, heroic composition. The severe focus on the somber subject matter provides deep insight into the artist’s dedication to historical fidelity and academic drawing practices. This significant preparatory piece is today housed within the renowned collection of the Metropolitan Museum of Art. As with many historical masterworks now in the public domain, prints of this influential drawing remain highly sought after by collectors and art students worldwide.