Still Life with Ginger Jar, Sugar Bowl, and Oranges by Paul Cézanne, painting, 1902

Still Life with Ginger Jar, Sugar Bowl, and Oranges

Paul Cézanne

Year
1902
Medium
Oil on canvas
Dimensions
23 7/8 x 28 7/8" (60.6 x 73.3 cm)
Museum
Other

About This Artwork

Still Life with Ginger Jar, Sugar Bowl, and Oranges is an oil on canvas painting created by Paul Cézanne around 1902, capturing the artist's intense focus on structured composition during his final years. This work belongs to a crucial period for the French master, specifically dated between 1902-06, where his technique became increasingly concerned with the geometric solidity and permanence of forms rather than purely momentary observation.

The composition features a characteristic arrangement of domestic objects: a patterned ginger jar, a white porcelain sugar bowl, and several vibrant oranges scattered across a draped surface. Cézanne utilizes thick, constructive brushstrokes, building up color planes to define volume without relying heavily on traditional linear perspective. He employed modulated color patches to suggest light and shadow, allowing colors like deep blues, reds, and oranges to play a structural role in defining mass. The objects often appear slightly tilted or shifted in their relationship to the viewer and the tabletop, reflecting Cézanne's revolutionary approach to representing three-dimensional space and his rejection of conventional single-point perspective.

This painting exemplifies the profound importance of Cézanne's late period, demonstrating the transition from Post-Impressionism toward the abstract and analytical methods that would characterize early Cubism. The meticulous organization of the canvas highlights why the artist is often referenced as the key progenitor of modern painting. This vital work of French culture from the early 20th century is held in the esteemed collection of the Museum of Modern Art. While the original remains a centerpiece of the museum's holdings, the influence of the painting ensures that high-quality prints and references to the artist’s oeuvre are widely available, contributing to the study of early modern masters whose works sometimes reach the public domain.

Cultural & Historical Context

Classification
Painting
Culture
French
Period
1902-06

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