Still Life from the series Dix Pochoirs by Pablo Picasso, published in 1921, is an exemplary work demonstrating the artist's continued experimentation with the still life genre through printmaking. The specific medium employed is pochoir, a highly refined stencil technique that allows for rich, flat areas of color and precision, setting this print apart from traditional etching or lithography. This particular composition is one of the ten images that form the complete Dix Pochoirs portfolio, issued during a highly transitional moment in Picasso’s career.
Although created several years after the initial, revolutionary phase of Analytical Cubism, the piece retains the fractured geometric forms characteristic of the movement, rendered with the bright, distinct colors favored during Picasso's Synthetic period. Picasso utilizes the strict outlines inherent to the pochoir process to define recognizable objects- likely fruit, dishware, and a table- while simultaneously flattening the pictorial space. This strategic synthesis of abstraction and clarity reflects the stylistic characteristics of the artist’s output published around 1921. As a Spanish artist working primarily in Paris, Picasso constantly bridged classical rigor with avant-garde graphic experimentation, making this work highly significant within his extensive catalogue of prints.
The strong graphic impact of this still life demonstrates why Picasso was such a powerful innovator, translating his complex two-dimensional compositions effectively across different mediums. The use of stencil printing ensured that the colors were uniform and vibrant, appealing to a burgeoning market for high-quality, limited-edition graphic works. The continued preservation of early 20th-century prints, such as this piece, ensures the accessibility of the Spanish master’s work. This specific edition currently resides in the collection of the Museum of Modern Art (MoMA), New York, serving as a primary reference for the artist’s masterful command of the pochoir technique.