Standing Figure of Prudence and a Seated River God by Giovanni Battista Tiepolo, drawing, 1696-1770

Standing Figure of Prudence and a Seated River God

Giovanni Battista Tiepolo

Year
1696-1770
Medium
Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk
Dimensions
12-1/16 x 11-3/4 in. (30.6 x 29.8 cm)
Museum
Metropolitan Museum of Art

About This Artwork

Standing Figure of Prudence and a Seated River God by Giovanni Battista Tiepolo is a superb example of the artist's foundational draftsmanship, characteristic of his prolific career spanning the late Baroque and Rococo periods. Executed using pen and brown ink, brush with pale (yellow) and dark brown wash, over preliminary black chalk sketches, the drawing showcases Tiepolo’s masterful ability to rapidly define complex allegorical subjects with fluid line work and dramatic contrasts.

The composition features two dynamic human figures. The primary figure, the allegorical representation of Prudence, stands tall and commanding, her verticality providing a powerful contrast to the reclining classical figure below. This muscular male figure is identified as a River God, a personification of water often used in large decorative schemes involving the elements or mythology. The inclusion of such powerful Human Figures and mythological archetypes relates directly to the iconography of major classical deities like Poseidon or Neptune, frequently incorporated into Venetian grand manner painting.

Tiepolo expertly employs the ink and wash technique to define volume and atmosphere, utilizing the dark brown wash to emphasize deep shadows, particularly in the drapery of the River God, thereby enhancing the theatrical lighting typical of his large ceiling frescoes. This piece likely served as a modello or preliminary study, allowing the artist to resolve the sophisticated figural interaction before translating the design onto a monumental scale.

This influential drawing currently resides in the collection of the Metropolitan Museum of Art. The clarity and strength of the preparatory technique make this an essential work for studying the Venetian master's process, and high-quality prints of the design remain valuable resources for art historians studying the Rococo era.

Cultural & Historical Context

Classification
Drawing

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