Songs of Experience: Title-page by William Blake, print, 1794-1825

Songs of Experience: Title-page

William Blake

Year
1794-1825
Medium
Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
Dimensions
sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm)
Museum
Metropolitan Museum of Art

About This Artwork

Songs of Experience: Title-page by William Blake is an iconic frontispiece created during the artist's prolonged production period spanning 1794 to 1825. This complex work showcases Blake’s distinctive technique of illuminated printing, utilizing relief etching to combine text and illustration seamlessly. This specific impression was printed in an evocative orange-brown ink and meticulously enhanced by hand-coloring, featuring watercolor and traces of shell gold that lend a remarkable luminosity to the figures and ornamentation.

The print serves as the introduction to the "Experience" section of Blake’s renowned composite work, Songs of Innocence and of Experience, a key piece of early Romantic poetry. While the title page primarily features the poem's title, the delicate imagery surrounding the text subtly reinforces the themes of sorrow and societal corruption explored in the verses. Blake often depicted generalized forms of men and women within these decorative elements, symbolizing the fallen state of humanity and connecting the visual elements directly to the core poetic narrative.

As a self-published work, this print exemplifies Blake’s commitment to unifying the roles of artist, poet, and printer. His innovative approach to printmaking ensured that each copy, while sharing a common plate, possessed unique color and character due to the hand-applied pigments. This technical individuality elevates the piece beyond mere illustration, solidifying its place as a crucial example of British Romantic art. Today, this highly significant work, along with other seminal Blake prints, is preserved in the permanent collection of the Metropolitan Museum of Art, making its study accessible to scholars and the public. As an older work of poetry and art, its images frequently circulate through resources entering the public domain.

Cultural & Historical Context

Classification
Print

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