Songs of Experience: The Little Vagabond by William Blake, print, 1794-1825

Songs of Experience: The Little Vagabond

William Blake

Year
1794-1825
Medium
Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold
Dimensions
sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm)
Museum
Metropolitan Museum of Art

About This Artwork

Songs of Experience: The Little Vagabond by William Blake is an exemplary instance of the artist’s unique illuminated printing technique, designed to seamlessly merge text and visionary imagery. Created across the extended period of 1794 to 1825, this work originated as a relief etching, printed here in a distinct orange-brown ink. Blake subsequently personalized each impression, applying delicate hand-coloring using watercolor washes accented by touches of shell gold for a subtle luminescence. This piece forms a key component of Blake’s critical collection of illustrated verse, Songs of Experience, which provides a stark, disillusioned counterpoint to the earlier innocence found in his poetic cycle.

The subject matter centers on one of Blake’s most biting social commentaries. The figure of the little vagabond articulates a powerful critique of contemporary organized religion, lamenting the cold, formalistic piety of the Church. Through the child’s voice, Blake suggests that the true spirit of Christianity and charity is absent from institutionalized worship, preferring the warmth and fellowship of a common ale-house fire to the frigidity of the chapel. The composition and the accompanying poetry elevate the voice of marginalized human figures, suggesting that the spirit of Christ can be found in simple compassion rather than rigid ceremony.

As an individual impression, this relief etching demonstrates the subtle variations inherent in Blake’s private method of producing prints over many years. His process resulted in small, highly individualized editions, each reflecting slightly different applications of color. This important impression is currently housed in the collection of the Metropolitan Museum of Art. Because of their age and unique historical status, prints from Blake's prolific output are often consulted by scholars studying the development of art and literature during the British Romantic era, with many of the original plates now existing within the public domain.

Cultural & Historical Context

Classification
Print

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