Soldier Seated on a Tomb with Surrounding Figures by Giovanni Battista Tiepolo, print, 1785

Soldier Seated on a Tomb with Surrounding Figures

Giovanni Battista Tiepolo

Year
1785
Medium
etching
Dimensions
Unknown
Museum
National Gallery of Art

About This Artwork

"Soldier Seated on a Tomb with Surrounding Figures" is an etching created by the renowned Venetian master Giovanni Battista Tiepolo in 1785. As a specialized form of printmaking, the medium relies on the technical rigor of the etching needle and acid bath to create highly expressive, linear compositions. This work falls firmly within the cultural output of the Italian school and specifically addresses the late 18th-century period spanning 1776 to 1800, showcasing the artistic transition underway at the end of the century.

The composition presents a dense arrangement focused on the titular soldier, perhaps a figure contemplating mortality or a vanquished hero, resting somberly upon a monumental tomb. The surrounding figures, often rendered through economical, rapid lines, add a sense of drama or obscurity to the scene. Although Tiepolo is historically celebrated for his grand fresco cycles and monumental oil paintings, his prints offer a more intimate look into his graphic sensibility. This particular piece demonstrates the artist's masterful handling of shadow and light, employing strong chiaroscuro to translate the dramatic intensity found in his larger works into the scaled-down format of prints.

This important example of European graphic art from the final decades of the 18th century is maintained within the distinguished permanent collection of the National Gallery of Art in Washington, D.C. The inclusion of Soldier Seated on a Tomb with Surrounding Figures provides crucial context for understanding the scope of Tiepolo's entire output, cementing his influence as an Italian figure working during a dynamic historical period. Due to its historical significance and institutional status, the imagery is often classified within public domain collections, ensuring that high-quality prints and references are widely accessible to researchers and the general public alike.

Cultural & Historical Context

Classification
Print
Culture
Italian
Period
1776 to 1800

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