Sketches of Quin and Garrick

Sketches of Quin and Garrick by William Hogarth is a detailed etching classified as a print, depicting two of the most significant figures in 18th-century English theater. Although Hogarth, a towering figure in British art, passed away in 1764, this specific impression was created posthumously in 1797, reflecting the enduring popularity and continued circulation of his graphic works decades after his death. The work captures dynamic studies of men renowned for their stage presence: James Quin and David Garrick, often considered professional rivals and representatives of contrasting acting styles.

Hogarth, primarily known for his satirical commentary and sequential moralizing narratives, frequently documented celebrities and public figures of his era. This piece is characterized by loose, expressive lines typical of quick studies, focusing intently on the physiognomy and differing dramatic interpretations employed by the actors. Quin often represented the older, more declamatory school of acting, while Garrick introduced a naturalistic, groundbreaking style that revolutionized the stage. These contrasting approaches are presented side-by-side, offering a visual comparison for the viewer.

As an etching, this work demonstrates Hogarth's mastery of the reproductive print medium, allowing wide accessibility that surpassed that of traditional oil painting and making the portraits of famous subjects available to a broad 18th-century audience. The composition remains a critical resource for understanding the theatrical history of the period. This impression of Sketches of Quin and Garrick is held in the comprehensive collection of the Metropolitan Museum of Art, where it contributes to the institution’s vast repository of important historical prints, many of which are now accessible within the public domain.