The drawing Sketches of Inscribed Bases of Roman Columns by Nicolas Poussin French, 1594-1665, offers direct insight into the rigorous classical preparation underlying the artist’s oeuvre. Rendered meticulously in red chalk on cream laid paper, the piece exemplifies Poussin’s dedication to documenting and synthesizing Roman antiquity. The sketches are not merely general architectural studies; they are detailed epigraphic records of specific column bases featuring Latin inscriptions, likely copied directly from surviving fragments or monuments encountered during the artist’s extensive exploration of Rome. This intensive study of antique forms and texts provided the historical and structural accuracy Poussin valued when constructing his major history paintings.
Though Poussin resided almost continuously in Rome, the work is fundamental to understanding the development of 17th-century French Classicism, of which he was the preeminent figure. As a master draftsman, Poussin meticulously cataloged classical elements, using drawings like this one, dated between 1614 and 1665, as essential reference material throughout his lengthy career. The precise draughtsmanship visible in the red chalk outlines demonstrates his unwavering commitment to archaeological fidelity. The Art Institute of Chicago preserves this important drawing in its comprehensive collection, offering a clear view of the working method of the French master. High-resolution prints of the drawing are frequently made available through public domain initiatives, ensuring broad scholarly and public access to this essential piece of French art history.