Sigismonda

Sigismonda is a significant 1795 engraving executed by Benjamin Smith (English, d. 1833) after the celebrated controversial painting by William Hogarth (English, 1697-1764), and published by the influential London firm J. & J. Boydell. This precise print, rendered in black on tan wove paper, exemplifies the highly specialized craft of engraving used to disseminate popular compositions throughout England during the late 18th century. Smith’s technical skill successfully translates the high drama and deep emotional intensity of Hogarth’s 1759 oil painting into a reproducible format, ensuring the composition reached a wide audience.

Hogarth’s original work was his foray into grand historical painting, based on the tragic tale of Sigismonda from Boccaccio’s Decameron. The artist aimed to assert English capability in a genre typically dominated by Continental masters, though his intensely realistic and highly charged depiction of grief was debated by contemporary critics who felt it lacked classical decorum. By commissioning Smith to reproduce the image, the Boydells capitalized on the enduring fascination with Hogarth, making the composition accessible to the public domain through widespread prints.

This particular piece resides within the permanent collection of the Art Institute of Chicago. Smith’s engraving captures the central figure contemplating the urn holding the heart of her murdered lover, Guiscardo, showcasing the period’s commitment to capturing strong human passions. The work serves as a valuable record of both the printmaking industry and the complicated legacy of Hogarth's late style.