Sick Carnot! (Carnot malade!), created by Henri de Toulouse-Lautrec in 1893, is a sharp example of the artist’s mastery of graphic satire and printmaking. This work, rendered as a lithograph in black on delicate Japan paper, exemplifies the vibrant French artistic environment of the period spanning 1876 to 1900. Toulouse-Lautrec utilized the lithographic medium to create images characterized by economical line and powerful visual impact, often focusing on figures of public interest, society, and caricature.
As a renowned observer of Parisian life, Toulouse-Lautrec employed this specific technique to comment on political and social figures with incisive wit. The subject of the print, referring to a "Sick Carnot," likely targets Sadi Carnot, who served as President of France during this decade. The graphic nature of the image—a classification of print—allowed for potential mass distribution, positioning the artist firmly within the avant-garde movement that embraced reproductive media for public commentary.
The work’s reliance on simple forms and the striking contrast afforded by the black ink emphasize the essential features of the figure, achieving a sense of immediacy typical of the artist's Post-Impressionist sensibilities. Toulouse-Lautrec moved away from traditional academic painting to capture the fleeting, often unglamorous, realities of modern life. This piece encapsulates the energy and critical edge characteristic of his graphic oeuvre. The National Gallery of Art holds this specific impression of Sick Carnot! (Carnot malade!) in its permanent collection, recognizing its importance as both a historical record and a pivotal example of late 19th-century graphic arts. Furthermore, due to the age of many of these historic French prints, high-resolution reproductions are frequently available as public domain resources, allowing broad access to the work of Toulouse-Lautrec.