Sheet of studies: head of the artist is a remarkable print created by Rembrandt van Rijn in 1632. Executed on paper, this work exemplifies the artist's dedication to mastering facial expression and physiognomy during his early successful years in Amsterdam. The sheet features multiple concise studies of Rijn’s own face, captured in quick succession to explore different emotional states, angles, and effects of illumination.
As a print, the piece likely served as preparatory material for the more formal commissions that characterized Rijn's flourishing career in the Dutch Golden Age. Rijn frequently used himself as a readily available and cost-efficient model, capturing various moods and testing techniques without the necessity of hiring models. These rapid sketches, rendered with expressive linearity, allowed him to analyze how light shaped the face, an essential skill for developing the dramatic chiaroscuro that would define his later work.
These preliminary studies offer invaluable insight into the working methods of the young master. The precision and economy of line demonstrated in the heads show that, even in a private study, Rijn was focused on technical refinement. The year 1632 was a transitional period for the artist, solidifying his reputation following major successes like The Anatomy Lesson of Dr. Nicolaes Tulp. This particular work is preserved in the esteemed collection of the Rijksmuseum. Today, the study of prints like this one, often accessed through public domain collections, continues to inform scholars about Rijn’s commitment to capturing authentic human character and emotion.