Sheet of figure studies: two studies of a reclining figure, and a seated figure holding a lyre (?)

The work Sheet of figure studies: two studies of a reclining figure, and a seated figure holding a lyre (?) by Eugène Delacroix (1798-1863) provides crucial insight into the creative process of the celebrated Romantic master. This intimate drawing, executed entirely in graphite, features multiple rapid sketches captured on a single sheet, a typical practice for artists refining compositions or studying anatomical poses for larger, finished works.

Delacroix utilizes the precision of the graphite medium to capture the contours of the human form with characteristic Romantic energy. The expressive, fluid lines distinguish this approach from the more rigid academic renderings of the preceding Neoclassical era. The composition includes two distinct studies of a reclining female nude, potentially preparatory explorations for a mythological or Orientalist scene, genres that often demanded expert depiction of the unclothed body. In the lower section, a seated figure, partially draped, is shown holding an object that appears to be a lyre, suggesting an allegorical identity, possibly a muse. These figure studies emphasize dynamic pose, gesture, and volume, showcasing the artist’s mastery of quick anatomical capture.

Created during the height of the French Romantic movement, this essential drawing exemplifies Delacroix’s dedication to mastering anatomy and human expression, skills fundamental to his dramatic historical paintings. As a prime example of the artist's work on paper, the piece is classified as a drawing and resides within the permanent collection of the Metropolitan Museum of Art. Its availability allows for careful examination of the working methods of one of the 19th century’s most influential French artists.