Self-Portrait with Saskia by Rembrandt van Rijn, dated 1636, is a pivotal work in the history of self-portraits and 17th-century printmaking. Created during the height of the Dutch Golden Age, this etching captures the artist alongside his wife, Saskia van Uylenburgh, shortly after their marriage. Rembrandt was a recognized master of the etching technique, and this piece demonstrates his innovative command of the medium, utilizing precise line variations and depth to establish a rich, textured setting. The careful cross-hatching defines the light and shadow, illustrating the detailed interior setting and the distinctive clothing of the subjects.
The composition functions as both a depiction of a specific moment and an intimate double portrait. Rembrandt portrays himself prominently, addressing the viewer directly, while Saskia is positioned slightly behind him. The work intimately integrates the subjects of Men (the artist) and Girls (Saskia), reflecting the domestic partnership that became an important subject in the artist’s output during this decade. While seemingly a relaxed celebratory portrait, some scholars interpret the figures as playing roles or drawing from historical or genre scenes, rather than offering a straightforward snapshot of their private lives.
Rembrandt is known for documenting his personal life extensively through his prolific output of prints. This particular work is unique because it is the only etching in which he depicts himself with Saskia. This etching style allowed for relatively quick duplication, ensuring that these images entered circulation and became accessible to a wider audience than unique paintings. This significant example of Dutch art is highly valued for its biographical insight and technical brilliance. The work is currently held in the collection of the Metropolitan Museum of Art, where it serves as a key reference for understanding Rembrandt's mastery as an etcher.