Self-Portrait (?) with Plumed Cap and Lowered Sabre

Self-Portrait (?) with Plumed Cap and Lowered Sabre is a renowned example of the printmaking mastery of Rembrandt van Rijn Dutch, 1606-1669. Executed in 1634, this powerful image utilizes the sophisticated combination of etching and drypoint techniques on tan laid paper, showcasing the depth and rich textural effects achievable in the print medium. This year marks the beginning of Rembrandt’s most prolific decade in Amsterdam, a time when he frequently experimented with his own likeness, often portraying himself in elaborate historical or theatrical dress.

The subject, positioned centrally, is heavily costumed, wearing a detailed breastplate, an elaborate plumed cap, and holding a lowered sabre. While the title suggests it is a true self-portrait, the dramatic military garb transforms the piece into a character study-a common practice for Rembrandt when creating his many tronies and self-portraits during this era in the Netherlands. The masterful application of drypoint allows for dense, velvety dark areas, emphasizing the deep shadows that characterize the artist's dramatic manipulation of light.

As one of the celebrated prints from the 17th century, the quality of the line work and tone demonstrates why Rembrandt remains an unparalleled etcher. The work is currently held in the prominent collection of the Art Institute of Chicago. Falling within the public domain, this iconic image and other similar prints by the Dutch master are widely accessible for study and research globally.