Self-Portrait (?) with Plumed Cap and Lowered Sabre by Rembrandt van Rijn Dutch, 1606-1669, is a definitive print dating from 1634. Created during the peak of the Dutch Golden Age, this masterful impression is an etching executed on ivory laid paper, showcasing the artist’s prolific output and technical virtuosity within the graphic arts. Unlike traditional portraiture, this image functions more as a tronie or character study, depicting a figure in elaborate, almost theatrical, dress.
The subject, potentially Rembrandt himself, wears a striking plumed cap that dominates the upper register of the composition, balancing the heavy presence of the lowered sabre. This use of exotic and historical costume allowed 1606-1669 to explore complex emotional states and dramatic lighting effects without the constraints of a formal commission. As a printmaker, Rembrandt was revolutionary, utilizing the etching needle to achieve rich, painterly blacks and delicate gradations of tone, visible here in the shadowed planes of the face and the finely rendered details of the feathered cap.
Rembrandt's sustained experimentation with self-portraits and character studies marks a significant element of his oeuvre in the Netherlands, providing insight into his technical evolution. The enduring legacy of this work is demonstrated by its inclusion in the prestigious Art Institute of Chicago collection. As a seminal example of graphic work from the period, reproductions of Self-Portrait (?) with Plumed Cap and Lowered Sabre are frequently available today through public domain initiatives, ensuring continued access to this pivotal moment in the history of prints.