Self-Portrait in a Velvet Cap with Plume by Rembrandt van Rijn, print, 1638

Self-Portrait in a Velvet Cap with Plume

Rembrandt van Rijn

Year
1638
Medium
etching on laid paper
Dimensions
plate: 13.5 x 10.3 cm (5 5/16 x 4 1/16 in.) sheet: 18 x 14.2 cm (7 1/16 x 5 9/16 in.)
Museum
National Gallery of Art

About This Artwork

Self-Portrait in a Velvet Cap with Plume, created by Rembrandt van Rijn in 1638, is a masterful example of the artist’s prolific engagement with self-study. Classified as a print, the work utilizes the demanding technique of etching on laid paper. Produced firmly within the Baroque style of the Dutch Golden Age, and specifically documenting the period 1601 to 1650, this piece captures Rijn at the height of his commercial success and technical mastery in Amsterdam. Unlike his oil paintings, Rijn's numerous prints allowed him to experiment rapidly with facial expressions, costume, and the dramatic interplay of light and shadow, demonstrating why he is recognized as one of the greatest printmakers in history.

The technical brilliance of Rijn’s draftsmanship is evident in the intricate lines used to define the texture of the fur collar and the dramatic shadow that obscures much of the artist's face. While self-portraits could be serious inquiries into identity, Rijn often portrayed himself in elaborate, historical, or exotic costumes, transforming the image into a character study. Here, he dons an opulent velvet cap adorned with a prominent plume, presenting himself with confidence and theatrical flair. The depth of tone and the rich contrasts achieved solely through the precise manipulation of the etching needle showcase his technical dominance over the medium during this era.

The 1630s were a critical decade for the Dutch artist, and self-portraits like Self-Portrait in a Velvet Cap with Plume served both as personal records and marketable commodities. This particular impression of the etching is preserved within the collection of the National Gallery of Art, offering scholars a key insight into the evolving persona of the Dutch master. Given the age and immense significance of the work, high-quality images are frequently made available within the public domain, ensuring its continued study worldwide. Rijn’s repeated engagement with his own image secures his legacy as one of the most self-documented figures in art history.

Cultural & Historical Context

Classification
Print
Culture
Dutch
Period
1601 to 1650

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