The Self-Portrait is a powerful drawing created by Gustave Courbet sometime between 1861 and 1871. This intimate yet assertive work, executed meticulously in Conté crayon, reflects Courbet's lifelong commitment to realism and his frequent use of the self-portrait genre to explore identity and promote his public persona. As the defining figure of the French Realist movement during the mid-nineteenth century, Courbet rejected the established academic standards of the era, choosing instead to depict the observable world and the man himself with an unvarnished truth.
This exceptional example of Courbet’s draftsmanship focuses solely on the subject, typical of his self-portraits produced late in his career. The classification of the work as a drawing emphasizes the immediacy and textural quality provided by the Conté crayon, which allows Courbet to achieve deep, velvety blacks and nuanced modeling. These dense masses of pigment define the texture of his heavy beard and the volume of his clothing. Unlike quick preliminary sketches, this large-scale piece functions as a finished portrait of the mature man, capturing a penetrating gaze that engages the viewer directly.
Courbet mastered this demanding medium, using high contrast and subtle blending to give the drawing a sense of sculptural presence, reinforcing the seriousness and confidence he projected publicly throughout his career. The work is a significant resource for studying 19th-century French drawing, offering direct insight into the artist’s self-conception during a politically tumultuous decade. This compelling piece is currently housed within the prestigious collection of the Metropolitan Museum of Art. Because of its historical importance, this work is frequently referenced, and high-quality prints reflecting the original detail are often made available through public domain initiatives.