Seated Woman

"Seated Woman" is a powerful drawing associated with Amedeo Modigliani, style of Italian, 1884-1920. Classified as a work on paper, the piece utilizes graphite executed meticulously on cream laid paper. This foundational sheet has subsequently been laid down onto a blue wood-pulp laminate board, a mounting technique suggesting careful preservation or preparation for exhibition. Although the date range associated with this particular work is broad (1904-1947), the drawing style aligns with the mature phase of the Italian master's career, emphasizing expressive contour and simplified, elongated forms.

The technique of graphite on paper was central to 1884-1920’s output, serving both as a means for preliminary study and as a powerful standalone medium. This piece, consistent with his exploration of portraiture and the female figure, reflects the influence of classical sculpture and non-Western art forms prevalent in Paris during the early 20th century. The treatment of the figure, likely a model or muse, eschews traditional modeling in favor of a direct focus on essential structure and volume, characteristics that defined the Italian contribution to modern art.

This significant drawing resides within the permanent collection of the Art Institute of Chicago, contributing vitally to the museum's holdings of early modern draughtsmanship. As key works from this historical period enter the public domain, Seated Woman becomes increasingly available for study. The circulation of high-quality prints and reproductions facilitates wider access to 1884-1920’s evolving technique, allowing scholars and enthusiasts globally to analyze the linear economy and emotional depth present in this foundational work.