Sculptor with Sculpture and Other Works from Le Chef-d’œuvre inconnu by Pablo Picasso is a significant etching created in 1927. This specific print is one of 13 original etchings commissioned to illustrate the volume Le Chef-d’œuvre inconnu (The Unknown Masterpiece) by French author Honoré de Balzac. The work, created during a pivotal period for the Spanish artist, was subsequently published in 1931 by Ambrose Vollard. Picasso’s contribution to this highly influential illustrated book exemplifies his engagement with classical themes and narrative illustration, synthesizing his artistic heritage with contemporary Parisian literary projects.
The composition presents a scene familiar within Picasso’s output of the late 1920s: the artist’s studio. The work features a sculptor depicted alongside his finished creation and a seated figure, exploring the relationship between the act of creation and the source of inspiration. Executed with precise, fluid lines typical of the etching process, the print demonstrates Picasso’s mastery of line art and his transition toward the classicizing style that characterized much of his interwar output. While the immediate setting is intimate, the subject matter is profound, referencing Balzac’s narrative which explores the painful quest for artistic perfection and the ultimate failure of the creative struggle.
Classified specifically as an Illustrated Book component, the physical form of these original prints makes them highly valuable for collectors and institutions alike. Though the initial etchings were realized in 1927 and the volume published in 1931, the enduring relevance of Picasso’s visual interpretation ensures the continued study of this period. This particular example of the etching is preserved within the permanent collection of the Museum of Modern Art, ensuring its accessibility for scholarly research and public viewing.