Sculptor Before His Sculpture, with Young Girl in a Turban and Sculpted Head from Le Chef-d'œuvre inconnu is an influential etching created by Pablo Picasso between 1927 and 1928, and published in 1931. This Spanish print is one of thirteen etchings commissioned for the deluxe edition of Honoré de Balzac’s 1831 novella, Le Chef-d'œuvre inconnu (The Unknown Masterpiece). Balzac's narrative concerns the obsessive pursuit of artistic perfection and the ultimate failure of the aging painter Frenhofer to realize his vision, themes that profoundly engaged Picasso during this period.
The composition utilizes the etching technique to render bold lines and stark contrasts, creating a powerful study of the studio environment. The scene depicts the sculptor, heavily bearded and deeply introspective, confronting the massive, unfinished stone head that represents his creative struggle. Standing alongside the figures is a young girl, often interpreted as the muse or model, who wears a distinctive turban and witnesses the master’s intense focus. Picasso was already known for his innovative prints, and his choice of etching allowed him to explore the relationship between the artist and his subject with graphic immediacy, emphasizing volume and form through dynamic line work.
This work exemplifies Picasso’s return to classical mythological and studio themes following his more intense Surrealist engagements. His recurring motif of the sculptor and model in the late 1920s often examines the interplay between creation, observation, and transformation, contrasting the solidity of the sculpted form with the vitality of the human figures. The classification of the piece as part of an Illustrated Book underscores its dual nature as both a fine art print and a literary complement to the Balzac text. Executed during a significant phase of his prolific career, this specific image, recognized as a crucial example of modern prints, currently resides in the collection of the Museum of Modern Art (MoMA).